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Thursday, January 9, 2020

The Draug

It has been common belief that those whom were lost at sea – their final resting place being a wet grave, instead of consecrated soil – became outlawed wraiths, menacing to encounter, forecasting predictions of shipwrecks and drownings. In the fishing and coastal tradition along the northern Norwegian coast, the draug (Old Norse, draugr = Eng. corpse) practically a personification of all those who throughout the ages had ended their lives this way, never to be found again.

Most concentrated is the draft tradition around the areas for the two largest seasonal fishing in Northern Norway: Lofoten and Finmark. Fishing for cod in Lofoten starts in January and lasts until April. During this period, the fish searches for shore to spawn. Since the Viking era, these fisheries have been of great importance as the dried fish (stockfish) in pre-modern times was Norways by far the largest export economy.

Winter, Reine in Lofoten, painting by Norwegian artist Otto Sinding, 1894
According to Norwegian theologist and sociologist Eilert Sundt's (1817-1875) statistical surveys of the last century, 200 people drowned in the Tromsø Diocese (= the whole of Northern Norway) in 1863, which was a normal annual average. The year before, 95 boats were lost in the same diocese. The Lofoten fishing alone required 15-20 lives each year. In retrospect, the narrative tradition of the draug provides an understanding of the relentless and dangerous life along the Norwegian coast in ancient times. These stories are ultimately expressions of the collective anxiety for death and the ones lost at sea.

By appearance, the draug looked like an old-fashioned fisherman in leather coat, leather trousers, leather hat and rubber boots, yet his head was nothing seaweed, arms and legs were abnormally long compared to the rest of his body, and he sailed in half a boat. He was always alone on board and kept the same steady course as the fishermen. If he cried and shouted to them, they were wise not to answer, because then their boat would capsize. The calls sounded like screams of people in distress, and probably originated in rather tangible observations, whether coming from the boat vault or from birds or sea creatures. They were interpreted as warnings of storms and death, from which people adapted if they could.


The Sea Troll, illustration by Theodor Kittelsen 1887

A crew encountering the draug in his half-boat never arrived safely in port – many of the men even found themselves on their very last voyage. A more recent story, dating back to 1931, proclaims:
It was a winter day during the last fishing season, and lots of boats out and about. Then it suddenly a storm blew up, and everyone struggled hard to get ashore. One of the crews sailing at some distance from the others saw a boat they did not know, and looked more closely, they discovered that the boat was half. They realized it was the draug and that their chip was about to wreck. And so it did. the boat capsized during a surge, taking the lives of four men. Three survived, of which one of them later decided to tell the tale.

Source:
  • Ørnulf Hodne (2012). Vetter og skrømt i norsk folketro. Cappelen. 

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